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About Dan Crislip
Audio director | SkewSound | USA | WashingtonI’m an experienced audio director, sound designer, and composer, with over forty shipped titles and more on the way.
In 2008 I moved to Boston and began my career, first working with Iron Lore Entertainment on a Dawn of War expansion, followed by many years at Harmonix Music Systems. I was lucky to contribute a significant amount of content to the critically acclaimed Rock Band and Dance Central franchises, as well as take on leadership roles on the Beatles and Fantasia titles.
In 2014 I returned to the Pacific Northwest and started an audio outsourcing studio: SkewSound. We have since grown into a nationwide provider of audio resources and established offices in Seattle, Boston, Nashville, and Portland. We’ve also branched beyond games into film, television, and national advertising campaigns.
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2019 | Risk of Rain 2 | Hopoo Games | Sound Designer |
| 2020 | Disintegration | V1 Interactive | Sound Designer |
| 2020 | Signs of the Sojourner | Echodog Games | Sound Designer |
| 2019 | Grim Dawn: Forgotten Gods | Crate Entertainment | Audio Director |
| 2019 | Crackdown 3 | Microsoft | Audio Lead |
| 2019 | Minion Masters: Forced to Duel | BetaDwarf | Sound Designer |
| 2018 | Mothergunship | Terrible Posture Games | Sound Designer |
| 2019 | Praey for the Gods | No Matter Studios | Audio Lead |
| 2022 | Mothergunship: Forge | Terrible Posture Games | Sound Designer |
| 2022 | The Tarnishing of Juxtia | Actual Nerds | Sound Designer |
| 2022 | Farthest Frontier | Crate Entertainment | Audio Lead |
Education
| Year | School | Course |
|---|---|---|
| 2002 | Western Washington University | Music Composition |
