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Experience

Veteran

Specializes in:

Television

Other skills

Non-Fiction, Documentary, Sound Editing, Sound Design

Contact Benny Mouthon, CAS

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Soundlister

FAQ, About

About

Re-recording mixer | String & Can | USA | New York

I’m NYC based and specialize in non-fiction Television and Documentary film sound editing/mixing.

I’m one of the owners of String & Can, a small audio-post house in Midtown Manhattan (www.stringandcan.com); we have two Dolby approved 7.1 mixing rooms, one of which will be Dolby Atmos capable shortly, and a 5.1 TV mixing room along with a VO booth.

Along with that space, my colleagues and I all work remotely and have full Pro Tools based home studios,
so we’re available all the time..(within reason :-)). Sitting in your colour correct and want to change something late at night ?
Your fixes are just a phone call away..

Situated on the other side of the planet ? we also do plenty of 100% remote work !

Most people know my work from Anthony Bourdain’s three series (“A Cook’s Tour”, “No Reservations” and “Parts Unknown”) and several “American Masters” films on PBS (“Miles Davis: Birth Of The Cool”, “Black Panthers: Vanguard Of The Revolution”), along with some of ESPN’s “30 for 30” (“Once Brothers”, “Michael Vick” and “Bad Boys”)..

I’m also fluent in Spanish, German, French and can “get by..” in Italian.

Credits

Year Project name Client Role
2019 Miles Davis: Birth of the Cool PBS Supervising Sound Editor / Re-Recording Mixer
2020 30 for 30: Michael Vick ESPN Supervising Sound Editor / Re-Recording Mixer
2019 Reconstruction: America after the Civil War PBS Supervising Sound Editor / Re-Recording Mixer
2012-2018 Parts Unknown CNN Sound Editor / Re-Recording Mixer
2019-2020 Somebody Feed Phil Netflix Sound Editor / Re-Recording Mixer
More credits on IMDB

Awards

Year Award Awarded for
2018 Primetime Emmy (won) Outstanding Sound Mixing for Nonfiction Television
2019 CAS Award (won) Outstanding Achievement in Sound Mixing for Television – Non-Fiction, Variety or Music – Series or Specials
2017 Daytime Emmy (won) Outstanding Sound Mixing – Live Action
2019 Edward R. Murrow (won) Excellence in Sound
2019 Primetime Emmy (nominated) Outstanding Sound Editing for Nonfiction Program (Single or Multi-Camera)
2017 Primetime Emmy (nominated) Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera)
2016 Primetime Emmy (nominated) Outstanding Sound Mixing for Nonfiction Programming
2015 Primetime Emmy (nominated) Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera)
2014 Primetime Emmy (nominated) Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera)
2013 Primetime Emmy (nominated) Outstanding Sound Mixing for Nonfiction Programming
2001 Primetime Emmy (nominated) Outstanding Sound Editing for a Non-Fiction Program
2020 CAS Award (nominated) Outstanding Achievement in Sound Mixing for Motion Pictures – Documentary
2018 CAS Award (nominated) Outstanding Achievement in Sound Mixing for Television – Non-Fiction, Variety or Music Series or Specials
2017 CAS Award (nominated) Outstanding Achievement in Sound Mixing for Television – Non-Fiction, Variety or Music – Series or Specials
2016 CAS Award (nominated) Outstanding Achievement in Sound Mixing for Television – Non-Fiction, Variety or Music – Series or Specials
2014 Daytime Emmy (nominated) Outstanding Sound Editing – Live Action
2013 News + Documentary Emmy (nominated) Outstanding Music and Sound
2000 News + Documentary Emmy (nominated) Outstanding Achievement in a Craft in News and Documentary Programming – Sound

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