Official website

Experience

Veteran

Specializes in:

Film audio

Other skills

Dialog Editing, ADR, Sound Design, Composing, Music Production

Highlighted references

• Working on La Boheme was amazing because it combined my Music Mixing skills with Foley and Sound Design to create something that had never been done.
• Dialog Editing the film Port Authority was amazing. I learned a lot about gay culture in NYC and enjoyed the challenge of exterior city edits.
• No Alternative was really my first time working on a film that went to a sound stage, and I learned a ton from Kelly Vandever at Monkeyland!

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FAQ, About

About Michael Flannery

Re-recording mixer | Jumping Giant | USA

Since signing to LAVA/Atlantic Records back in 2000, I’ve had every job imaginable in audio production. I’ve toured internationally sharing the stage with some of the biggest acts in the world, run my own studio, managed teams of engineers to edit and deliver entire record company catalogs to cellphone providers, produced, mixed, and mastered a ton of records, and built up my own audio post production company, Jumping Giant, starting with student films and eventual working on films that went to Cannes, Tribeca, and at least a hundred other film festivals around the world. I pride myself on my work and will always attempt to deliver a product that exceeds expectations. I hope to hear from you!

Credits

Year Project name Client Role
2022 La Boheme Opera Columbus Sound Supervisor
2019 Blow the Man Down Amazon Studios Dialog Editor
2019 Selah and the Spades Amazon Studios Dialog Editor
2019 Port Authority MK2Films Dialog Editor
2018 No Alternative Tidal Wave Entertainment Dialog Editor, Sound Design, Foley
2018 7 Splinters In Time Intrinsic Value Films Sound Supervisor
More credits on IMDB

Awards

Year Award Awarded for
2021 Golden Reel Award Nominated for Dialog Edit on Blow the Man Down

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