Specializes in:Film audio
Other skillsDialog Editing, ADR, Sound Design, Composing, Music Production
Highlighted references• Working on La Boheme was amazing because it combined my Music Mixing skills with Foley and Sound Design to create something that had never been done.
• Dialog Editing the film Port Authority was amazing. I learned a lot about gay culture in NYC and enjoyed the challenge of exterior city edits.
• No Alternative was really my first time working on a film that went to a sound stage, and I learned a ton from Kelly Vandever at Monkeyland!
About Michael FlanneryRe-recording mixer | Jumping Giant | USA
Since signing to LAVA/Atlantic Records back in 2000, I’ve had every job imaginable in audio production. I’ve toured internationally sharing the stage with some of the biggest acts in the world, run my own studio, managed teams of engineers to edit and deliver entire record company catalogs to cellphone providers, produced, mixed, and mastered a ton of records, and built up my own audio post production company, Jumping Giant, starting with student films and eventual working on films that went to Cannes, Tribeca, and at least a hundred other film festivals around the world. I pride myself on my work and will always attempt to deliver a product that exceeds expectations. I hope to hear from you!
|2022||La Boheme||Opera Columbus||Sound Supervisor|
|2019||Blow the Man Down||Amazon Studios||Dialog Editor|
|2019||Selah and the Spades||Amazon Studios||Dialog Editor|
|2019||Port Authority||MK2Films||Dialog Editor|
|2018||No Alternative||Tidal Wave Entertainment||Dialog Editor, Sound Design, Foley|
|2018||7 Splinters In Time||Intrinsic Value Films||Sound Supervisor|
|2021||Golden Reel Award||Nominated for Dialog Edit on Blow the Man Down|