About Anja Ludwig
Sound designer | GermanyYou really wanna know?!
Okay, you already know my name and my job. But there’s one thing I think you’d also appreciate understanding: Why I do what I do.
The sense of hearing is my favorite organ of perception. It doesn’t matter whether it’s awe-inspiring music, a detailed soundscape, or simply a beautiful voice. Elegance can be found in all these areas and more.
On the other hand, I love exploring the sheer endless possibilities in creating a sound. It starts with the material you hold in that hand, continues with microphone adjustments, and leads into editing that recorded audio. As you can see there are a lot of points of interaction influencing the sound. Also, in our digital era, new opportunities of designing sound in the DAW of your choice pop up every day.
I really appreciate working at a post-production facility. Here, I have the opportunity to do all types of audio production as well as audio post-production; be that voice recording, sound design, dialogue editing, foley artistry, field recording, or audio branding. I enjoy the challenge of it all!
For more info about me and my work, please drop me a note!
Big greetings,
Anja
Credits
Year | Project name | Client | Role |
---|---|---|---|
2014 | Dusky Paradise | Kimotion Pictures Ltd. | Sound Designer |
2016 | Occasus | MANUSARTS GmbH | Foley Artist, Sound Designer, Re-recording Mixer |
2016 | Ostfriesisch für Anfänger | C-FILMS DEUTSCHLAND GmbH | Foley Artist, Sound Designer |
2014 | BABAI | NiKo Film | ADR Recordist, ADR Editor |
2014 | 4 KÖNIGE | C-FILMS DEUTSCHLAND GmbH | ADR Recordist, ADR Editor |
2016 | Bad Sheriff | candy/diamonds/pills | Boom Operator, Dialogue Editor, Sound Designer |
2017 | Werner Nekes – Der Wandler zwischen den Bildern | Kinescope Filmproduktion GmbH | Sound Designer |
2016 | Emily | Andrea Christina Furrer | Re-recording Mixer |
2017 | Über Leben in Demmin | IT WORKS! Medien GmbH und IT WORKS! Film | Dialogue Editor |