You do not have permission to view this form.
About Charles Maynes
Sound designer | Charles Maynes | USA | CaliforniaI am 25+ year audio veteran in the film and media business, with have extensive experience in film audio with over 100 feature film credits, I also have extensive field recording experience specializing in military subjects and weapons.
Awards include participation in the sound work on two Academy Award winning films for Best Sound Editing (U-571 and Letters From Iwo Jima) as well as 2 Emmy Awards, (The Pacific and Gettysburg) and 5 MPSE awards and numerous nominations.
I am very interested in collaboration and am a very strong team player-
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2010 | The Pacific | HBO | Sound Editor / Designer |
| 2006 | Letters From Iwo Jima | Warner Brothers / Dreamworks | Sound Designer |
| 2005 | Fantastic Four | 20th Century Fox | Sound Designer |
| 2005 | Constantine | Warner Brothers / VIllage Roadshow | Sound Designer |
| 2013 | After Earth | Sony | Supervising Sound Editor |
| 2011 | Moneyball | Sony | Sound Editor |
| 2011 | Fast Five | Universal | Sound Effects Editor / Designer |
| 2002 | Spiderman | Sony | Sound Designer |
| 2001 | Lara Croft: Tomb Raider | Paramount Pictures | Sound Effects Editor / Designer |
| 2000 | U-571 | Universal | Sound Editor / Designer |
| 1997 | Starship Troopers | Sony | Sound Editor / Designer |
| 1996 | Twister | Warner Brothers / Dreamworks | Sound Editor / Designer |
| 2017-2022 | SEAL TEAM | CBS | Sound Designer |
| 2022 | Evil Dead Rising | Sound Designer | |
| 2020 | Call of Duty Modern Warfare | Infinity Ward | Sound Recordist |
| The Ice Road | 2021 | Netflix | Sound Designer |
Awards
| Year | Award | Awarded for |
|---|---|---|
| 2000 | AMPAS Best Sound Editing | U-571 |
| 2006 | AMPAS Best Sound Editing | Letters From Iwo Jima |
| 2013 | ATAS Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera) | Gettysburg |
| 2010 | ATAS Outstanding Sound Editing for a Miniseries, Movie or a Special | The Pacific |
| 2015 | Nomination MPSE Best Sound Editing – Direct to Video – Live Action | War Pigs |
| 2014 | MPSE Best Sound Editing – Sound Effects, Foley, Dialogue, and ADR in a Foreign Language Feature | Libertador |
| 2013 | MPSE Best Sound Editing – Computer Episodic Entertainment | Halo 4: Forward Unto Dawn |
| 2011 | Nomination MPSE Best Sound Editing – Direct to Video – Live Action | Street Kings 2: Motor City |
| 2012 | Nomination MPSE Best Sound Editing – Sound Effects and Foley in a Feature Film | Fast Five |
| 2010 | Nomination MPSE Best Sound Editing – Computer Entertainment | Wolfenstein |
| 2006 | Nomination MPSE Best Sound Editing in Sound Effects and Foley for a Feature Film | Flags of Our Fathers |
| 2007 | Nomination MPSE Best Sound Editing in Special Venue | Roar: Lions of the Kalahari |
| 2002 | Nomination MPSE Best Sound Editing – Effects & Foley, Domestic Feature Film | Lara Croft: Tomb Raider |
