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About Fabien Calabria
Composer | Fabien Calabria | FranceClassically trained in guitar and music theory, I have over two decades of experience in computer-based audio production.
I began working as a freelance composer and sound designer for linear and interactive media in 2022, alongside a full-time position as an IT technician.
In 2026, I left IT to focus exclusively on music and sound.
SKILLS:
Music Composition
Composition across multiple genres.
Trailer composer for Transported Audio,
submitting music for theatrical trailer pitches
Multi-instrumentalist
Guitar, Bass, Drums, Piano, Tuned percussion
Sound Design
Foley, recording, synthesizing, layering, and
processing audio
Mixing, Mastering
Audio integration
Integrating audio in Unity and Unreal Engine
(Metasound)
Audio Middleware
Using FMOD and Wwise for creating adaptive
and reactive audio
Version Control Systems
Git, Perforce, Unity Version Control
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2022 | Mosaic (Short Movie) | Keith Chen | Composer |
| 2023 | The Unusual Tale (Animation) | Hovr | Sound Designer, Mixing Engineer |
| 2024 | Timebound (Video Game) | Michał Kluz | Audio Director, Music Composer, Sound Designer |
| 2024 | Star Rising (Video Game) | gopokyo | Audio Director, Music Composer, Sound Designer |
| 2023 | Almira (Short Movie) | Ol.Magnet | Music Composer |
| 2023 | Socratic Democracy (Video Game) | Pedro Silva | Music Composer, Sound Designer |
| 2022 | Link’Em (Mobile Game) | AppCabage | Music Composer, Sound Designer |
| 2022 | Realized Fantasy (Audio Fictions) | Spring Life | Audio Director, Music Composer, Sound Designer |
| 2023 | Atlundia (D&D Campaign) | Russell Dahms | Music Composer |
| 2023 | The Aeturnus Continuum | J.L.Lockwood | Music Composer |
Awards
| Year | Award | Awarded for |
|---|---|---|
| 2022 | Fatansy/Sci-Fi Film & Screenplay Festival | Best Sound & Music |
