About
Sound designer | Sound Post Lab Pte Ltd | Singapore“SOUND brings audiences into another realm and delivers the emotions; which are pivotal in filmmaking. Understanding the balance between art and science of sound empowers us to create unimaginable soundscapes for the imaginative worlds.”
Jesper is a Supervising Sound Editor with close to two decades of experience in audio post-production and a co-founder of Sound Post Lab (SPL). An honours graduate of the School of Audio Engineering (SAE), he is known for his meticulous attention to detail and his commitment to crafting emotionally resonant, technically precise work. Over the years, he has built a broad and diverse portfolio across feature films, drama series, documentaries, and international productions. His approach is guided by a clear philosophy that sound must always serve story, emotion, and truth.
His credits include HBO Asiaās Invisible Stories, the Golden Horseānominated films Number 1 (ćē·åæēć) and A Good Child (ć儽å©åć), as well as entertainment projects such as Bolt of Talent featuring Michael Bolton. Jesper has also overseen ADR for major titles including Mortal Kombat, Shotgun Wedding, and Disney+ās American Born Chinese.
Rather than creating sound for its own sake, Jesper treats audio as a narrative dimensionāshaping perspective, emotional tone, and audience immersion with precision and intention. With a strong foundation in music, he often blurs the line between sound design and scoring, merging musicality and sonic texture into a unified storytelling voice across the filmās soundtrack.
His technical experience is strengthened by international collaboration with engineers at Bangkokās Kantana Sound Studio, known for films such as The Grandmaster and Ong Bak. He has also contributed to the refinement of industry tools and standards, including development feedback for the Netflix-recommended Youlean Loudness Meter plugin and updates to Mediacorpās broadcast audio specifications.
At Sound Post Lab, Jesper continues to refine his craft while mentoring aspiring sound engineers, nurturing not only technical skill but also the discipline, clarity, and integrity that shape SPLās philosophy.
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2021 | Folklore S2 Ep2 | HBO | Re-Recording Mixer |
| 2020 | Invisible Stories | HBO | Supervising Sound Editor |
| 2022 | Midnight Asia | Netflix | Supervising Sound Editor |
| 2020 | Number 1 ē·å ē | MM2 Feature Film | Sound Designer / Supervising Sound Editor |
| 2019 | One Headlight ēµäøę ę | MM2 Feature Film Taiwan | upervising Sound Editor |
| 2023 | Comedy Island Indonesia | Amazon Prime | Supervising Sound Editor |
| 2023 | Comedy Island Philippines | Amazon Prime | Supervising Sound Editor |
| 2022 | Masked Singer Japan S2 | Amazon Prime | Supervising Sound Editor |
| 2021 | Masked Singer Japan S1 | Amazon Prime | Supervising Sound Editor / Re-Recording Mixer |
| 2015 | Mr Unbelievable | Clover Film | Supervising Sound Editor |
| 2013 | 3 Peas in a Pod | Huat Film | Sound Designer |
| 2013 | Judgment Day | Galaxy Entertainment & MM2 Entertainment | Sound Designer |
| 2021 | Traffickers | HBO | Supervising Sound Editor / Re-recording Mixer |
Education
| Year | School | Course |
|---|---|---|
| 2005 | SAE Singapore X Middlesex University London | Bachelor Degree in Recording Arts |
| 2004 | SAE Singapore | Diploma in Audio Engineering |
| 2011 | Berklee College of Music | Master Certificate in Music Theory, Harmony and Ear Training |











