
Experience
VeteranOther skills
researcherContact Julia Pajott (Pajot)
About
Composer | independent | Francehttps://vimeo.com/juliapajot
I use physical and mathematical theories to analyze timbre and music to represent physical phenomena.
Approaching orchestration as curved strings in space, graphical score will be extended to still and digital art, and instruments to magnetic sculptures. Music will translate material or architectural properties, joining artists’ projects and modeling scientific data through both compositional (animated frames) and algorithms (generative mechanics), demonstrating physical laws and their sensible outcome changing with various parameters.
My long development of a framework to convert forms of representation led to an approach of music as quantum matter describing particles as waves (atoms) visualized by various pigments, and as quantum holography describing mass as pressure (nucleons) visualized by various shapes.
Please refer to this link : https://www.dropbox.com/scl/fo/aj85ahog7fv17jmg4aavs/ADrvPYOM1i3uVrb-3z5zjOc?rlkey=n2uxttt6s199jwlmmbywlds3d&dl=0
Credits
Year | Project name | Client | Role |
---|---|---|---|
2018 | Fission (in post-prod) | Tom Weston | composer, sound design |
2016 (reworked 2017) | I Am That Boy | Lagueria Davis | composer, sound design |
2016 | Bunker Game | Lionel Compte | composer, sound designer |
2015 | Au Fil de l’ Eau | Dominique Monfery | composer, sound designer |
2015 (future rework) | Untitled | concert | composer |
2014 | Octopus Mom | cine-concert | composer |
2014 | Impulsion | Kevin Soirat, Andrea Bernal | composer |
2013 (future rework) | Dies Irae | concert | composer |
2013 | Hypnotic | concert | composer |
2013 | Isabelle | Francois Lambert | composer |
2013 | Pas de Deux | Andrea Biferi, Zoe Flammang | composer, sound design |
2013 | France | Louise Thouret | composer |
future rework | Ocean | concert | composer, sound designer |
2012 | Otto e Mezzo | cine-concert | composer |
2012 (future rework) | Sicilia | concert | composer |
2012 | Sacrifice | cine-concert | composer, sound designer |
2012 | Battle Scene | concert | composer |
2012 | Bodas de Sangre | concert | composer |
2012 | The Train of Life | cine-concert | composer, sound designer |
2012 | l’ Heure Noire | Omar Marwan | composer, sound designer |
2012 | Million Dollars Hero | Fabien Poiriet | composer |
2011 | Chute du Ciel (skyfall) | director, experimental | composer, sound designer, animator |
2011 | Poursuite Mortelle (death pursuit) | cine-concert | composer, sound designer |
2011 | Symphony 2 | concert | composer, sound designer |
2011 | The Labyrinthe Assassine (murdered labyrinth) | concert | composer, sound designer |
2011 | Sonic Spiral | concert | composer |
2011 | Violec | concert | composer |
2011 | Sextet 2 | concert | composer |
2010 | Coma | concert | composer, sound designer |
2010 (revised 2011) | Sons Lancinants (throbbing sounds) | concert | composer |
2010 (revised 2011) | Coulees de Lave dans les Tenebres | concert | composer, sound design |
2010 | Ondes (waves) | concert | composer |
2009 (revised 2011) | Tempete Ensoleilee) | concert | composer, sound designer |
2009 | Le Chant Nocturne | concert | composer, sound designer |
2009 | Demain des l’ Aubre | concert | composer |
2009 | Le CHant de ‘ Eternite | concert | composer |
2008 | Jeux et Nostalgie | concert | composer |
2007 | Une vague de larmes dans un ocean de joie (a wave of tears in a ocean of joy) | concert | composer |
2006 | Le Feu de la Vie (the fire of life) | concert | composer |
2005 | Andromaque | concert | composer |
present | Untitled | concert | composer |
Awards
Year | Award | Awarded for |
---|---|---|
2015 | global music awards | career achievement as “emerging artist: film and pictorial composer” |
2015 | various | AU FIL DE L’EAU “original score”, “creativity/originality”, “sound animation on film images (score/song)”, “concept”. |
2014 | various | IMPULSION “film soundtrack” and “short film original score” |
2019 | global music awards | CHUTE DU CIEL (oncert) “composition” and “concept”. |
2019 | global music awards | POURSUITE MORTELLE (concert)“composition” and “concept”. |
2019 | global music awards | CHUTE D’EAU “composition” and “concept”. |
2015 | global music awards | TEMPETE ENSOLEILLEE “composition” and “concept”. |
2016 | global music awards | SYMPHONY 2 “innovation in sound” and “composition”. |
2015 | global music awards | LABYRINTHE for “orchestral composition” |
2015 | global music awards | SEXTET 2 for “composition” |
2019 | global music awards | COULEES for “concept”. |
2015 | global music awards | SONS LANCINANTS or “composition”. |
2016 | global music awards | COMA “composition” and “creativity/originality” . |
2017 | global music awards | ETERNITE for “composition”. |
2009 | Ascap finalist/Oberlin CD | Demain des l’aube |
2007 | Ascap finalist | Le Feu de la Vie |
2006 | Ascap finalist | Andromaque |
Education
Year | School | Course |
---|---|---|
2009 | Guildhall of Music and Drama (London) | Junior preparatory (first study piano, second study composition) |
2004 | Awty International School | French Baccalaureate (scientific section), American High School Diploma |
2009 | Oberlin College Conservatory | composition Bachelor of music (Sholarship of merit, Dean’s scholarship Many concerts, around 1 per month, with works for solo to orchestra. Piano with Lydia Frumkin.) |
2009 | Centre Acanthes 2009 | commission for a piece |
2011 | Royal Academy of Music (London) | composition Master of music (Studies with Simon Bainbridge among others. First recipient of the Sylvia Glickman Scholarship. many works for solo to orchestra, concerts and commissions by the Royal Academy of Music with different ensembles, such as for TEMPETE ENSOLEILLEE (2009, reworked 2011) with 14 strings RAM solosits and Clio Gould of the London Sinfonietta, and for ONDES (marimba solo) as part of concert of composer in residence Beat Furrer. Projects with the Bristol School of Animation (Feb 2010 DVD) VIOLET, violin and electronics, played by Aisha Orazbayeva on June 3rd 2010.) |