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Experience
ProfessionalOther skills
Sound editingHighlighted references
• Sounds Like Wimbledon – an opportunity to work with visually impaired young people to create tennis sounds using every day objects.• Moshi Monsters; The Movie – first time having full control over the Foley. Hard work but very creative.
• Action for Children TV advert – at the beginning of my career, it was the first time I heard my work broadcast.
About Louise Brown
Foley artist | UKI’m a London based Foley artist and editor. Over the past eight years I’ve worked on numerous feature films, television programmes and commercials.
Post-studies I started out at Radium Audio editing sound effects for commercials and online promos before specialising in Foley at Creativity Media. Since 2015 I’ve been working freelance which has cultivated in many more grey hairs but means I get to work with a variety of different creatives.
Away from Pro Tools I have a large and expensive interest in travelling. I’m currently learning the Chinese language. My wild goal is to walk Foley in as many countries as possible that have a Foley stage.
2016 is the year I finally grow some vegetables in the garden, so far I’ve managed cress.
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2016 | Swallows and Amazons | Foley artist and editor | |
| 2016 | Gentle Monster; The Butcher | Start Film | Foley artist |
| 2016 | Damascus Cover | Foley artist and editor | |
| 2015 | Sounds Like Wimbledon | All England Lawn, Tennis and Croquet Club | Foley artist |
| 2015 | Operator | Foley artist |
Awards
| Year | Award | Awarded for |
|---|---|---|
| 2010 | BIMA Best Sound Award | LG: Behind the Picture campaign |
Education
| Year | School | Course |
|---|---|---|
| 2007 | London College of Music and Media | BA Music Technology |
