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Experience
ProfessionalOther skills
Dialogue Editing, ADR Recording, Sound Design and Mixing, FoleyAbout Maggie McCoy
Sound editor | USAWith over a decade of experience as a sound editor and mixer with a specialization in dialogue recording and editing, Maggie is a qualified all-around post production audio one stop shop. With proficiency in softwares such as ProTools, iZotope RX, Avid Media Composer, Premiere Pro, Wwise, as well as my experience in cueing recording and editing Foley, ADR and VO. Throughout her career, she have worked in multiple media forms, including film, television, radio, audio-books, and podcasting. This diverse background has equipped her with a deep knowledge of audio signal flow, EQ/compressor techniques, and core audio concepts. Maggie is proficient in using industry-standard software such as Pro Tools and iZotope RX, and has a strong grasp of C.A.L.M. act specifications and other loudness standards across various media.
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2022 | The Redeem Team | Netflix | Dialogue Editor |
| Unreleased (2025) | Untitled Tim Burton Documentary | Dialogue Editor | |
| 2025 | Bad Man | Dialogue Editor, ADR Engineer | |
| (2023/25) | Fujifilm Spotlights | Sound Mixer, Sound Editor Editor | |
| 2024 | There Will Be Hurt | Sound Editor, Dialogue Editor, Sound Mixer | |
| 2024 | Sweet Dreams | Dialogue Editor, Foley Editor | |
| 2025 | Comic Shop | Dialogue Editor, Foley Editor | |
| 2023 | Unexpected | Dialogue Editor, Foley Editor | |
| 2022 | Glorious | Dialogue Editor | |
| 2022 | Queer for Fear: The History of Queer Horror | Dialogue Editor | |
| 2022 | Marmaduke | Netflix | Dialogue Editor, Vocal Recording, Foley Editor |
Education
| Year | School | Course |
|---|---|---|
| 2017 | Columbia College Chicago | Concentration in Sound for Cinema, minor in Radio Production. Graduated magna cum laude |
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More Sound editor professionals
Experience
ProfessionalOther skills
Dialogue Editing, ADR Recording, Sound Design and Mixing, FoleyContact Maggie McCoy
You do not have permission to view this form.
About Maggie McCoy
Sound editor | USAWith over a decade of experience as a sound editor and mixer with a specialization in dialogue recording and editing, Maggie is a qualified all-around post production audio one stop shop. With proficiency in softwares such as ProTools, iZotope RX, Avid Media Composer, Premiere Pro, Wwise, as well as my experience in cueing recording and editing Foley, ADR and VO. Throughout her career, she have worked in multiple media forms, including film, television, radio, audio-books, and podcasting. This diverse background has equipped her with a deep knowledge of audio signal flow, EQ/compressor techniques, and core audio concepts. Maggie is proficient in using industry-standard software such as Pro Tools and iZotope RX, and has a strong grasp of C.A.L.M. act specifications and other loudness standards across various media.
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2022 | The Redeem Team | Netflix | Dialogue Editor |
| Unreleased (2025) | Untitled Tim Burton Documentary | Dialogue Editor | |
| 2025 | Bad Man | Dialogue Editor, ADR Engineer | |
| (2023/25) | Fujifilm Spotlights | Sound Mixer, Sound Editor Editor | |
| 2024 | There Will Be Hurt | Sound Editor, Dialogue Editor, Sound Mixer | |
| 2024 | Sweet Dreams | Dialogue Editor, Foley Editor | |
| 2025 | Comic Shop | Dialogue Editor, Foley Editor | |
| 2023 | Unexpected | Dialogue Editor, Foley Editor | |
| 2022 | Glorious | Dialogue Editor | |
| 2022 | Queer for Fear: The History of Queer Horror | Dialogue Editor | |
| 2022 | Marmaduke | Netflix | Dialogue Editor, Vocal Recording, Foley Editor |
Education
| Year | School | Course |
|---|---|---|
| 2017 | Columbia College Chicago | Concentration in Sound for Cinema, minor in Radio Production. Graduated magna cum laude |
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