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About Matthew Harnage
Composer | USA | North CarolinaI am a game composer and sound designer based out of Raleigh, NC USA. These days I’m mostly working on freelance indie game scores and doing sound design on top of that. My biggest influences are Nobuo Uematsu, Yasunori Mitsuda, and Joe Hisaishi. I can compose in a variety of styles (and love doing so) but really enjoy working on a team for the long haul to make a fantastic gaming experience. Feel free to reach out to me with any questions you have and I’d be happy to answer them!
harnagematthew@gmail.com
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2020 | MidKnight Story | Durendal Arts | Composer and Sound Designer |
| 2020 | Lemon Cake | Cozy Bee Games | Composer |
| 2018 | Cendric | Ironbell | Composer |
| 2020 | Alchemy Story | Cozy Bee Games | Composer and Sound Designer |
| 2018 | Nocturne of Steel | Games by Bill B. | Composer |
| 2018 | Above: The Fallen | Light Loop Games | Composer |
| 2019 | Anzen Echoes of War | Reim Entertainment | Composer |
| 2018 | Metal Shell: Neon Pulse | Light Loop Games | Composer |
| 2015 | Räka | Sporkion Creative | Composer |
| 2016 | Mega Museum | Merchant Games Ltd. | Composer |
| 2020 | Both Now, and Ever, and unto the Ages of Ages | Ekilorea | Composer |
| 2022 – Now | Magic Adventures | Recoded Pte Ltd | Composer and Sound Designer |
| 2021 – June 2023 | The Ranch of Rivershine | Cozy Bee Games | Composer |
| 2021 – Now | Mangato: Life In Taiyokawa | Pumpkin Interactive | Composer |
Education
| Year | School | Course |
|---|---|---|
| 2013 | Winthrop University | Music Composition |
| 2016 | Berklee College of Music | Courses in Composition for TV, Films, and Games |
