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About
Field recordist | Verónica Cerrotta | BrazilArgentinean sound artist settled in the countryside of Rio de Janeiro, Brazil.
Her artistic work is based on the use of field recordings and navigates between soundscape and experimental electroacoustic and concrete music, focusing on listening and sound imagination.
Since 2019, she has released solo works on the labels Impulsive Habitat, Música Insólita, Pakapi Records and Sello Postal.
She has also released the collaborative works ‘Slani pejzaži’(tsss tapes), with Manja Ristić and Joana Guerra, ‘In-Radius’ (Presses Précaires) with Pablo Díaz, and “Fase de Plegamiento’ (Green Field Recordings) with Juan José Calarco.
Credits
| Year | Project name | Client | Role |
|---|---|---|---|
| 2023 | Visões do Paraiso | Cristiana Miranda | Sound designer, Composer, Field Recordist, Dialogue Edition |
| 2023 | Histórias de Movimento | Helena de Araujo Zimbrão | Sound designer, Composer |
| 2020 | Zoom – Tecnoperformance | Denise Cathilina | Sound designer, Composer |
| 2020 | Vagalumes | Léo Bittencourt | Sound Editor |
| 2019 | Projeto Respiração | Casa Museu Eva Klabin | Sound designer, Composer |
| 2019 | Gentrilogy | Laura Burocco | Audio Editor |
Awards
| Year | Award | Awarded for |
|---|---|---|
| 2021 | 60 Sec Radio, International Competition | Radio Piece Composition |
Education
| Year | School | Course |
|---|---|---|
| 2024 | ABC Film Courses | Editing sound in audiovisuals |
| 2024 | ABC Film Courses | Recording sound in audiovisuals |
| 2021 | National Center for Musical Documentation Lauro Ayestarán (CDM) and the Institute of Electrical Engineering (IIE) of the School of Engineering of the Universidad de la República, Uruguay | Meetings on Field Recording and Sound Environments |
| 2020 | CEMLA | Didactic design from musical and sound ethnography |
| 2020 | National University of the Center of the Province of Buenos Aires | Workshop on field recordings and sound mapping. Listening, recording, editing, mapping |
| 2018 | Catalinas Sur Theater | Live Sound Operation and Studio Recording Techniques |
| 2018 | Orion Studio | Music Production with Ableton Live |
| 2016 | National University of the Arts, Buenos Aires | Postgraduate Seminar P(h)o(n)etics, Poetics of Sound/Sounds of Poetry |
| 2015 | National University of Tres de Febrero, Buenos Aires | Electroacoustic Composition Workshop |
| 2015 | Particular with Diego Makedonsky | Workshop on Artistic phonography and field recordings |
