About Jonas Persson
Sound designer | SanojSounds | New ZealandOriginally from Sweden but now living in Wellington, New Zealand. Having experience from sample based beat making using an MPC 1000 to sound engineering for music which includes recording, mixing, and mastering to audio post-production including sound design, dialogue edit, and mixing to field recording for SFX libraries I have dipped my toes in a lot of different fields within audio work.
I have a big love for how sound affects emotions and guides the listener to having their best experience of any given media whether that is music, documentary, games, or film. Currently, I’m working on recording and curating new sound effects libraries with the aim of contributing with high-quality sounds to the community.
Credits
Year | Project name | Client | Role |
---|---|---|---|
2019-2020 | Excavation Point Thestias | Fil Kopelman | Location Sound, Dialogue editor, Sound designer, Mixer |
2020 | Under The Owl’s Eye | Nicolas D. Gianfelici | Dialogue editor, Sound design, Mixer |
Education
Year | School | Course |
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2018 | Massey University | Bachelor of Commercial Music, Majoring in Music Technology |