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Activation
Welcome to a new Audio Jobs Special, this time focusing on remote audio jobs. Relocating for audio opportunities is not always an option (or, with the current instability in game audio job security, something you'd want to do) – so I did some further digging to find new and open jobs that are remote – either 100% remote or can be carried out anywhere in the specific country. Heads up: Some of them I’ve previously shared, but since they’re still available, I figured you wanted to know about them – and four of them come with a caveat; those are at the bottom of the list.
- Disney is hiring a Senior Sound Designer for an ambitious new project, and is after an imaginative audio creator with strong game development skills (United States)
- CI Games is looking for an Audio Director on a six-month freelance contract – and it's one of very few senior game audio roles that's open worldwide, rather than tied to a country
- SPAU / Spectral Audio is searching for a Sound Engineer, Audio Post Production for an ongoing audio storytelling project – and it's a long-term engagement, not a one-off (Remote)
To learn more about these featured jobs, scroll down to see their full descriptions 👇
We also found a number of additional audio jobs for you – here are the direct links:
- Sr Director, Sound Design at Sony PlayStation (United States) / Remote
- Audio Director at AGBO (United States) / Remote
- Sound Designer, contract at Riyo Games (Canada) / Remote
- Mid-Level Sound Designer, UE5 at Litio Games (Remote)
- Sound Designer (SSR) at Whiteboard Games (Argentina) / Remote
- Sound Designer Editor at Dhar Mann Studios (Remote)
- Score Music Composer at Dhar Mann Studios (Remote)
- Sound Mixer, part-time at Knife Drop Studios (United States) / Remote
- Audio Editor at Podify (India) / Remote
- Senior Sound Designer at Vicious Sound (United States) / Remote
- Mid-Level Sound Designer, contract at Vicious Sound (Remote)
- German Voice-Over Artists at Pocket FM (Germany) / Remote
- C/C++ Audio Software Developer, contract at Mission.dev (Canada) / Remote
- Adjunct Faculty, Recording Arts (2 openings) at Full Sail University (Florida, United States) / Remote
Remote, with a caveat
These four say remote too, and they’re all open – but there’s something you should know about each one first:
- Wwise Audio Engineer at Crytivo (Remote)
The studio says you can work remotely or from the Texas office depending on the role – but the posting doesn’t say which this is. - Freelance Audio Engineer at Quinn (United States) / Remote
A real audio engineering job, and clearly remote – just be aware that the product is an audio erotica app. - Sound Programmer at Saber Interactive (Remote)
The posting doesn’t give a location at all, and lists remote work under the perks rather than saying the role is remote. - Music Supervisor at DAYDREAM (Munich, Germany)
Based in Munich with remote as an option, rather than a remote role from the start.
Bonus: The Audio Jobs Facebook and LinkedIn groups also have a huge range of audio job opportunities.
Happy job hunting! Best wishes from Asbjoern and Adriane.
Highlight – sound stories this week:
Company: Disney
Location: United States – Remote
Disney is hiring a Senior Sound Designer for an ambitious new project, and is after an imaginative audio creator with strong game development skills. You'll be hands-on with the sound design and the Unreal Engine implementation in Wwise or FMOD, working with the Disney/Pixar, Star Wars and Marvel worlds, and reporting to the Audio Lead. They want six years in game audio and at least two shipped titles – and the posting lists the range for the remote role at $95,500-$128,000. The opening was shared in the LinkedIn Audio Jobs group, so you’ll need to be a member of the group to view the original post.
Company: CI Games
Location: Worldwide – Remote
CI Games is hiring an Audio Director on a six-month freelance contract – and it's one of very few senior game audio roles that's open worldwide, rather than tied to a country. You'll step into an existing pipeline and take the current audio work forward, directing the Wwise and Unreal Engine implementation + overseeing the sound designers, composers and voice-over partners on a release planned for 2026-2028. They want ten years in game audio and three as an Audio Director, and the only fixed hours are 10am-4pm CET.
Company: SPAU / Spectral Audio
Location: Remote
SPAU / Spectral Audio is hiring a Sound Engineer, Audio Post Production for an ongoing audio storytelling project – and it's a long-term engagement, not a one-off. You'll handle dialogue editing and cleanup, SFX and Foley design, ambience and music placement + the mix and master for episodic content. Any professional DAW works, though they prefer Pro Tools – and since it's fully remote, you'll need a monitoring or headphone setup you trust. The opening was shared in the LinkedIn Audio Jobs group, so you’ll need to be a member of the group to view the original post.
